Love in Action has been written by founder of NODA MAP Hideki Noda, who will also direct and appear as one of the main cast which he does in every production.
The London shows will be performed in Japanese with English subtitles.
Jun Matsumoto
Masami Nagasawa
Eita Nagayama
Nozomi Muraoka
Nobue Iketani
Kazushige Komatsu
Hideki Noda
Naoto Takenaka
YUGA AKIYAMA SHIORI ISHIKAWA HONOKA KANEMITSU MASANORI KIKUZAWA TAKETO KUBOTA YOKO GOTO
AYAKA KONDO YUJI SHIRAKURA MASAHIKO SHIROTA CLAUD HACHIJOIN AYAKA HIKIMA NATSUMI MASE
YUTA MATOBA SAWAKA MINAGUCHI MASAKAZU MORITA TOMOHIRO YOSHIDA SOJIN LEE
Yukio Horio
Set DesignMotoi Hattori & Makoto Kitazawa
Lighting DesignKodue Hibino
Costume DesignMarihiko Hara
MusicJunko Fujimoto
Sound DesignShigehiro Ide
ChoreographyEri Akamatsu
Hair & Make-UpTaiki Ueda
Projection DesignMasataka Sesaki
Stage ManagerAyumu Poe Saegusa
Production ManagerHiroyuki Suzuki
ProducerSusan Hingley & Jo Allan
SurtitlesIkumi Kuronaga
Co-ProducerYuki Katsu
Assistant Producer - NODA MAPIku Ito
PR - NODA MAPKayo Furuta
Producer - Tokyo Metropolitan TheatreMinako Naito
General Producer - Tokyo Metropolitan TheatreHideki Noda said
“We were overjoyed with the reception to A Night At The Kabuki from both London critics and audiences back in 2022 and we knew we had to come back with something even better. Love in Action will show another side to my work. It’s suspenseful, but not stereotypical suspense. It concerns the unbearable enigma of humanness. It is pure entertainment designed to capture the audience's attention as the actors move intensely in and around the stage. As a director, I always try to consider how I can create works which are a feast for the eyes, and as a writer, I always try to consider how I can write dazzling plot developments which exhaust the audience. I do not like to bore people. (In other words, I hate to be bored myself.) Boredom is what makes theatre die. Fortunately, the novel that Love in Action is based on has given me more than enough inspiration as well as a masterful plot. Our story, however, takes us to a place far removed from the original. And you can only see where it lands if you come to the theatre. As a side note, I am proud to come to London with some of Japan’s best actors. I hope London audience will enjoy such special occasion to see them act in front of them altogether. I am excited and a little nervous about how the audience in the world's biggest theatre capital will react to this play.’’